Academic publications as contributor and guest editor
- Special issue co-editor and contributor: ‘Labor in Contemporary Shakespeare Performance’, Shakespeare Bulletin, 38.1 (2020)
- Editor’s Introduction (open access)
- article: ‘Work and Technical Wizardry in The Tempest (2016)‘
- Special issue, co-editor with Henry Bell and Christie Carson, ‘Teaching Shakespeare: Digital Processes’, Research in Drama Education 25.1 (2020),
- ‘Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)’ Humanities 2019, 8, 42.
- Shakespeare and the Urgency of Now book review, Platform: Journal of Theatre and Performing Arts 13.1 (2019)
- ‘Shakespeare and the Players’ digital archive review, Borrowers and Lenders, 12.1 (2018)
- co-contributor for the Scalar book, ‘Performing Archive: Curtis and the “vanishing race”‘, Jacqueline Wernimont et al, 2013
- Prof Jacqueline Wernimont and Dr David Kim’s follow-up critical response to the project is useful reading
I am also a critic for Exeunt Magazine. My reviews can be found here. My highlights include:
- RSC’s Taming of the Shrew at the Barbican (2019)
- Falsettos at The Other Palace (2019)
- Emilia at The Vaudeville Theatre (2019)
- Richard II at Shakespeare’s Globe (2019)
- Creative/Disruption Festival hosted by the Arcola Queer Collective (2018)
- Sounds and Sorcery (an immersive “Fantasia” experience) (2018)
- Othello at Wilton’s Music Hall (2017)
- The Shakespeare Trilogy, dir. Phyllida Lloyd (2016)